No.11 in A Flat Major - Schubert*, Imogen Cooper - Schubert Live • Volume Three
Label: Avie Records - AV2158 • Format: 2x, CD • Country: UK • Genre: Classical • Style: Romantic
The title Six Moments musicaux D. One might reasonably conclude that these are not really "moments" of music at all, as some of the six pieces last more than five or six minutes. When considering that the original publisher's title was the horrible grammatical calamity Momens musicals, the idea that Schubert might have come up with or even approved the title becomes wholly unbelievable.
However, by Julywhen the 6 Moments musicaux were published, Schubert was in no position to argue such matters -- not only was he absolutely destitute, he was also fighting a losing battle for his very life. The Moments musicaux were composed during andthe third and last pieces, which were written during andexcepted.
Each is composed in a sectional form and many are dances of some kind. The trio section rolls forward on wheels of seamless triplets. The second Moments musicaux is an Andantino in A flat major, taking the shape of a gentle five-part rondo.
Imogen Cooper - Schubert Live • Volume Three sparkling, dotted, homophonic, sicilienne-like rhythms in the opening music give way to pure melody and accompaniment in Imogen Cooper - Schubert Live • Volume Three form of regular left-hand arpeggiations in the F sharp minor B sections. The third piece was composed back in It has something of an Eastern European tang to it, and as a result the publisher originally tacked the label "Air Russe" to it.
There is something of Bach about the fortspinnung-like fourth piece, a Moderato in C sharp minor. It unfolds in the major mode in the middle portion, where any such reference to the minor is lost within a pianissimo dream world of richly textured syncopations that somehow seem to make reference to Johannes Brahms a decade before he was even born.
More purely Schubertian is the Allegro vivace in F minor that follows, an athletic piece of equestrian rhythms. It is composed in as textbook a rounded binary form as one might imagine. The final piece of D. Schubert plays with listeners' harmonic expectations in the cleverest and most moving of ways.
A move to E major during the second half of the minuet-proper as opposed to the trio section Mekuria - Noise Of Trouble - Flowers Of Resistance somehow full of resignation; the modulation back to A flat a few measures later is absolutely heartwarming.
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Barry Douglas. Walter Gieseking. APR Appian. Franz Schubert: Piano Works. Gerhard Oppitz. Franz Schubert: Piano Works, Vol. Paul Berkowitz. Meridian Records. The Paul Badura-Skoda Edition. Paul Badura-Skoda. Deutsche Grammophon.
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Freedom - Schubert: Moments musicaux, Op. Fiammetta Tarli. Rudolf Serkin plays Schubert. Rudolf Serkin. Sony Classical. Schubert: Piano Sonata in C minor, D. Emil Gryesten. Complete Solo Recordings. Alfred Brendel. Shai Wosner. Onyx Classics. Schubert: Piano Sonatas; Moments musicaux.
Michael Korstick. Franz Schubert: Sonata in B flat, D. Edward Rosser. Connoisseur Society. Konstanze Eickhorst. Fabrizio Chiovetta. Schubert: Piano Sonatas; Impromptus; Musique musicaux. Ingrid Haebler. Schubert: Piano Works.
Daniel Tong. Adrian Aeschbacher Schumann and Schubert. Adrian Aeschbacher. Franz Schubert: Impromptus. Shino Moroto. Camerata Records. Schubert: Moments musicaux. Valery Afanassiev. ECM New Series. Paul Lewis. Harmonia Mundi. Sviatoslav Richter Collection.
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